If you over-analyse waveforms and meters it can detract attention away from how it actually sounds. Don't over-analyse Make it the best you can sonically and then let it go. As Abbey Road's Alex Gordon reveals: "Around 3kHz to 8kHz is normally the problematic area." If not dealt with correctly, these sounds will cut through a mix in a noticeable way and will be even more recognisable when sent to mastering. Sibilance is the common name for some of the harsh 's' sounds in the human voice. Sibilance Over-sibilance can be a problem with most recorded vocal tracks. Distortion in the source file cannot be fixed. You can mix with buss compression if you wish to hear its effects, but leave the final compression off when rendering. Levels, Limiting & Compression Leave at least 2 to 3 dB of headroom on the rendered file.
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